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Mosaic on the Facade — Permanence, Fragility and the Art of Putting It Back

Part 3 of 5: The Ceramic, Glass and Mosaic Series There is something paradoxical about mosaic on a historic facade. It is, in principle, one of the most durable decorative finishes available. The tesserae — those small units of stone, glass, or ceramic that make up the mosaic surface — are individually among the hardest

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Founding Member Spotlight – Jérôme Clochard

En 2001, Jérôme se forme à la mosaïque — d’abord à Paray-le-Monial, puis auprès de maîtres mosaïstes à Ravenne, berceau de cet art antique. En 2005, il fonde Absolut Mosaïque en Bretagne, spécialisé dans la restauration et la conservation de mosaïques du patrimoine, en collaboration avec les architectes des monuments historiques. Membre des Grands Ateliers

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Glazed Brick — The Underappreciated Facade Material of the Late 19th and Early 20th Century

Part 2 of 5: The Ceramic, Glass and Mosaic Series Walk down almost any street of late 19th or early 20th century housing in Belgium, the Netherlands, or the UK, and you will see it — if you know what to look for. Not the plain red or yellow brick that makes up the bulk

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Fired Earth on the Facade — A Brief History of Ceramic in Historic Buildings

Part 1 of 5: The Ceramic, Glass and Mosaic Series Before paint. Before render. Before almost any of the surface treatments we associate with historic facades today, there was fired clay. Ceramic — in its broadest sense, any material shaped from clay and hardened by heat — is one of the oldest building materials in

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The Enemy Below — Rising Damp, Salt and the Slow Destruction of Historic Facades

Part 1 of 2: Understanding the problem Everyone knows that water damages buildings from above. The failed gutter, the cracked roof, the missing flashing — these are the visible culprits, the ones that get attention, the ones that get fixed. What gets far less attention is what happens from below. Rising damp is not dramatic.

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Founding Member Spotlight – Miguel Ángel Balmaseda Rosa

Tercera generación de carpinteros de Écija. Empezó a ayudar en el taller de su padre con solo nueve años, y hoy destaca, como sus antecesores, en las características puertas con orejeras de la ciudad — de rico diseño geométrico. En 2019 recibió el Premio Richard H. Driehaus de las Artes de la Construcción, dedicándolo a

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Don’t Wait for Summer — Why Autumn is the Best Time to Plan Your Facade Restoration

For property owners who want to do this properly — and for the craftspeople who keep telling them the same thing A window restorer told me recently that people are already calling to ask whether their frames can be done before winter. It was the end of August. He was polite about it. He always

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